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Jamie Holdham

Buxtehude - Prelude in G Major. {Professional production score.}

Jamie Holdham

3:26	Est. Play Time
72	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manuels Pedale	20	2	5	10	89%
	15	4	2	8	84%
	20	0	4	5	68%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manuels Pedale	20	2	5	10	89%
	15	4	2	8	84%
	20	0	4	5	68%

Buxtehude - Prelude in D Major. {Professional production score.}

Jamie Holdham

5:26	Est. Play Time
110	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	23	24	7	9	84%
	24	10	7	9	79%
	20	1	5	8	70%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	23	24	7	9	84%
	24	10	7	9	79%
	20	1	5	8	70%

Buxtehude - Toccata in F Major. {Professional production score.} Unfinished.

Jamie Holdham

2:09	Est. Play Time
102	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	9	5	9	88%
	13	4	2	9	87%
	14	0	1	6	82%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	9	5	9	88%
	13	4	2	9	87%
	14	0	1	6	82%

Buxtehude - Prelude in C Major. {Professional production score.} Unfinished.

Jamie Holdham

3:29	Est. Play Time
102	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	5	6	9	84%
	20	2	3	8	80%
	20	0	4	7	69%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	5	6	9	84%
	20	2	3	8	80%
	20	0	4	7	69%

Buxtehude - Praeludium in E Minor. {Professional production full score.} Unfinished.

Jamie Holdham

3:00	Est. Play Time
146	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	24	6	7	8	94%
	18	2	5	8	82%
	17	0	5	7	82%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	24	6	7	8	94%
	18	2	5	8	82%
	17	0	5	7	82%

Beethoven - Symphony No.9. Mvt.1. {Performance + Full Score}. [Unfinished.]

Jamie Holdham

0:01	Est. Play Time
146	Measures
	1,181Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino II	21	14	4	8	100%
Violoncello	15	4	2	9	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violino II	21	14	4	8	100%
Violoncello	15	4	2	9	100%
I. II in D 4 Corni III. IV in B Basso	10	10	0	8	95%
2 Clarinetti in B	22	20	4	8	93%
Violino I	20	7	4	8	88%
Viola	17	7	3	8	77%
2 Oboi	19	21	5	8	75%
Contrabasso	14	0	2	8	73%
2 Flauti	19	19	4	8	65%
2 Fagotti	25	17	8	8	61%
Horn in B♭ basso	9	4	1	8	46%
2 Trombe in D	5	2	0	8	42%
Timpani in D-A	2	0	0	5	41%

*RULE BRITANNIA*.*Richard Wagner*.*RULE BRITANNIA.* [Unfinished.]

Jamie Holdham

0:39	Est. Play Time
86	Measures
	1,267Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I, II. Corni in D. III,IV.	12	14	2	8	100%
Horn in D	13	18	2	6	100%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
I, II. Corni in D. III,IV.	12	14	2	8	100%
Horn in D	13	18	2	6	100%
Trombe vent. in D.	14	17	2	7	100%
Trombe ord. in D.	8	7	0	6	95%
Flauti.	14	15	2	10	94%
Fagotti.	25	8	7	9	94%
Basso.	16	0	6	8	92%
Clarinetto in F.	16	0	1	10	92%
Viola.	21	11	5	6	92%
Violino I.	20	5	4	10	92%
Violino II.	21	19	3	10	92%
Violoncello.	21	1	6	8	92%
Clarinetti in C.	12	17	2	9	88%
Oboi.	14	18	3	9	88%
Trombone Alto e Tenore.	9	9	1	7	86%
Contra Fagotto.	13	0	5	7	85%
Ophicleide.	16	0	5	7	85%
Timpani in D,A.	2	0	0	9	85%
Trombone basso.	13	0	5	7	85%
Flauti piccoloi.	17	17	2	9	84%

Wagner - Parsifal Vorspiel to Akt 1. {Professional production full score.}

Jamie Holdham

20:10	Est. Play Time
116	Measures
	4,411Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	29	3	14	11	54%
	18	0	11	10	72%
View all 35 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassoon	29	3	14	11	54%
	18	0	11	10	72%
B♭ Clarinet	27	0	11	11	66%
	24	0	11	10	61%
1 VIOLINEN. 2	34	2	12	9	66%
3 CLARINETTEN. (in Bb).	24	0	11	9	63%
Violins	26	0	12	9	38%
	27	0	10	9	42%
	29	4	13	9	62%
Violoncelle.	34	2	12	10	59%
Bratschen. (Altgeigen).	32	16	17	10	57%
3 FAGOTTE.	19	0	11	12	55%
Horn in F	22	1	13	9	52%
	18	1	6	9	54%
	17	0	8	9	54%
Flute	23	0	6	11	54%
	14	0	5	10	46%
1 ALTHOBOE. (Englisches Horn).	20	0	12	10	48%
3 FLOTEN.	17	0	5	10	46%
Oboe	20	0	12	9	38%
	19	0	12	10	45%
4 HORNER. (F).	17	0	5	7	43%
3 HOBOEN.	20	0	11	9	40%
Bass Trombone	17	0	7	9	38%
(2 Tenor-) 3 POSAUNE. (1 Bass-)	14	0	6	7	37%
Tenor Trombone	15	0	6	7	36%
Pauken.	7	0	3	6	30%
F Trumpet	11	0	1	7	21%
	20	0	7	8	28%
Contrabasse.	15	3	6	6	22%
1 BASSTUBE.	17	0	6	6	22%
3 TROMPETEN. (F).	16	0	6	7	18%
1 CONTRAFAGOTT.	10	0	6	5	4%
E Trumpet	5	0	1	3	4%
1 BASSCLARINETTE. (in Bb).	1	0	0	1	2%

Wagner - Die Miestersinger von Nurnberg Overture to Akt 3. [Professional production full score.]

Jamie Holdham

7:34	Est. Play Time
68	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
View all 20 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncello.	36	0	15	7	78%
Bratsche.	27	1	13	7	68%
1. Violinen. 2.	34	0	10	8	55%
Violins	26	0	9	8	54%
2 Fagotte.	18	0	4	8	47%
Bassoon	17	0	4	9	40%
Hr.3 in D.	15	0	2	6	32%
Hr.2 in D.	12	0	2	6	29%
Hr.1 in D.	12	0	1	5	29%
Hr.4 in D.	14	0	2	5	28%
Contrabass.	14	1	4	5	27%
2 Clarinetten. (in A.)	18	0	4	7	27%
3 POSAUNEN.	11	4	1	5	15%
Hoboen.	9	0	1	5	15%
Hr in E.	7	0	1	5	9%
Trombone	6	0	2	4	9%
2 Trompetten. (in D.)	6	1	0	4	9%
2 grosse Floten.	11	1	2	3	7%
A Clarinet	9	0	1	2	6%
BASS.TUBA.	7	0	2	3	6%

Wagner - Rienzi Overture to Akt 1. [Professional production full score.] Unfinished.

Jamie Holdham

3:26	Est. Play Time
67	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi.	18	0	6	5	78%
Violoncelli.	22	0	7	9	78%
View all 14 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bassi.	18	0	6	5	78%
Violoncelli.	22	0	7	9	78%
Fagotti.	15	14	6	6	55%
Viole.	16	18	6	6	51%
Violini.	12	0	3	8	50%
Violins	12	0	3	8	50%
Corni ordin. in D.	6	1	0	3	48%
Serpent.	15	0	3	4	47%
Corni ventile in G.	13	15	5	6	43%
Clarinetti in C.	9	0	1	2	32%
Flauti.	7	0	0	3	32%
Oboi.	8	2	0	3	28%
Trombe ventile in D.	1	0	0	2	19%
Timpani in D u. A.	1	0	0	1	6%

Wagner - Lohengrin, Morgenrote: Heil Konig Heinrich! in Full score.

Jamie Holdham

1:50	Est. Play Time
86	Measures
	2,659Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncell.	25	0	12	2	87%
1.Violine.	23	0	11	2	85%
View all 17 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violoncell.	25	0	12	2	87%
1.Violine.	23	0	11	2	85%
2.Violine.	23	0	11	1	80%
Bratsche.	19	0	9	1	80%
Contrabass.	25	0	12	1	77%
3 Posaunen.	24	40	9	4	55%
3 FAGOTTE.	31	39	12	4	51%
4 Horner in Es.	13	0	11	8	42%
1. und 2.Clarinette in B.	14	0	3	8	42%
1.und 2. Hoboe.	14	0	3	8	42%
BASS-TUBA.	22	0	7	4	42%
E Horn	13	0	11	8	42%
2 Trompeten in Es.	8	9	0	10	34%
1 Pauke.	4	0	2	8	33%
2 Trompeten in F.	6	3	1	9	30%
2 Pauken.	4	0	2	9	29%
2 Trompeten in D.	7	8	5	8	21%

Wagner - Tristan und Isolde Einleitung zu Akt 2. {Professional production full score.}

Jamie Holdham

3:09	Est. Play Time
97	Measures
	2,076Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	31	6	13	7	82%
Violoncelli.	29	7	12	8	79%
View all 30 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Bratschen.	31	6	13	7	82%
Violoncelli.	29	7	12	8	79%
4 Horner in F.	23	13	8	8	67%
Horn in F	1	0	1	1	2%
	22	5	5	6	66%
Violinen II.	33	7	14	7	59%
3 FAGOTTE.	31	19	11	7	57%
BaBklarinette in B.	26	0	9	7	53%
Violinen I.	35	1	14	7	48%
2 Klarinetten in B.	28	3	11	7	45%
2 HOBOEN.	19	7	8	8	45%
Bassoon	18	0	5	6	8%
	18	3	8	7	43%
B♭ Clarinet	16	0	7	6	37%
Kontrabasse.	22	1	9	5	30%
II. III. Hr. in F. (a.d.Th.)	7	2	0	9	29%
Englisch Horn.	17	0	7	6	27%
Pauken.	2	0	0	1	23%
VI.	2	0	0	4	23%
Violas	11	0	3	3	22%
2 Floten.	22	1	9	6	22%
I.	7	0	0	9	21%
IV.	5	0	0	8	16%
V.	6	0	0	8	16%
Oboe	9	0	3	7	15%
Violoncellos	16	0	3	4	15%
Flute	10	1	5	4	9%
Violins	12	0	2	3	3%
	4	0	0	2	8%
Posaune.	6	0	2	3	6%